Sunday, February 26, 2012

Ayşegül Sağbaş




The artist, while painting Fadu hanging her laundry or reading love letters on her bed does not represent a critical stand, but observes the daily female rituals that for them are solely a form of existing. These women keep waiting for an emancipation that will save them from their ordinary routines. Between their simple action they watch us, and they know they are being watched. The painter, in her works, accepts and uses a language that she, herself, has created. This language isn’t limited to her approach to painting, but also encompasses her technique. This plastic language that is characteristic to the painter is an indication of her originality.
source: GOTCHA FADU !!!
Füruzan Simsek
October, 2009

ekavart.tv

  1. bagger posted this